In all the years of my time as student and later in my professional singing career I have not met anyone who is more competent as a singing teacher than Antonio Carangelo. His original education as a singer himself in the tradition of the Scuola di Canto Italiano with the greatest masters of his time and his constant continuous work in developing the understanding of the mechanisms of classical singing are perfectly pared by his pedagogical and didactical skills.

Florian Boesch Austria

Antonio Carangelo's solid technique, energy, engagement and teaching-skills guided me through my singing studies and later on in my professional career. The knowledge he has passed on to me has given me support every single time I stand on stage. His unique and natural way of teaching resumes the Italian opera tradition, of which he is one of its finest ambassadors I have had the honour to meet. For me Maestro Carangelo has been a true teacher and mentor on many different levels and I hope many young singers will have the opportunity to learn from him as much as I did.

Rodrigo Porras Garulo Mexico

The method of Maestro Carangelo is based on the right balance of muscles. Not just in how to relax or use them, but finding the right tension that is necessary to have a healthy instrument and a complete vocal range. Maestro Carangelo is a tireless worker, and his compromise and generosity with the student is devotional in the deepest meaning of the word. 

Leon De La Guardia Chile

The first time I met Maestro Carangelo, I had no idea what it really really meant to be a “tenor“. And without any doubts he helped me to understand this and form me not only as a singer but more importantly as an artist. Although I am just 25 years old, I was very lucky to meet lots of coaches and singing teachers, and I can say that Maestro Carangelo has the most profound and the most healthy approach to form a solid singing technique.

Petr Nekoranec Czech Republic

Maestro Carangelo is an amazing teacher. I have never meet a singer with such genuine dedication and extensive knowledge of the art of singing, both on how the vocal apparatus works and the interpretation of different styles (especially the Bel Canto era). He has the unique ability to listen to, and observe each student’s particular need and he works very individually with every student, whether a total beginner or a professional singer. Maestro Carangelo has completely changed my approach to singing. He has given me a much deeper understanding of my own voice and he has helped me enormously in my profession as a singer which I am very grateful for. The only thing I regret is that I didn't meet Maestro Carangelo when I first started singing.

Miriam Ryen Sweden